Watch Dogs was flat for me. It was in Chicago, a city I enjoy visiting and I think is beautiful, but it felt flat. I couldn’t figure out why. Is it because I’ve been there? Is it because they have such small segments of the city, interspersed with different suburbs?
Then it dawned on me. Nothing had names. If you weren’t a plot important entity, you were generic. “Eat here,” and other signs that didn’t create brand, and therefore did not create a world.
GTAV is a master of this. They have a thousand brands, most of which you will never know. There are a half dozen different banks, and you interact with maybe two of them. They have postal services. You never deal with these. The strip clubs are numerous, there are news agencies, car companies, used car dealerships, and countless other brands. You only ever deal with a very small percentage in any way beyond seeing a building with a logo.
Watch Dogs didn’t do this. It made me hesitant to pick up Watch Dogs 2. I play sandbox games for that atmosphere. Usually the plots are weaker, but the world building is through the roof.
Watch Dogs 2 has captivated me. Even if I’m not a fan of the style of DedSec, I love the world. When I started playing the world felt more alive. At first I thought maybe it was because I never visited San Francisco. However, as I kept playing I realized every building had an existence. They all had brands. Lives were behind them, lives I would likely never know.
This creates life in the world.
My world has secret organizations. There are intricate governments filled with rulers and underlings. Everything is alive if the characters are going to touch it. They never see the full scope. However, these little touches, these names, attitudes, and “brands,” all affect the way the main story plays out. It affects the motives of the support characters. It affects how the antagonist can move against the protagonist.
Even though your reader doesn’t see all of it, or they can if they follow along with your blog, you have created solid motives. You will write the setting and characters more convincing for it. Trust me.
My suggestion on this, and insight to my own process, is brand everything. Give it names, motives, purpose over all. The reader may not see it all, and they may not pay attention to all the crumbs that are put in front of them, but they will feel the world is more real.